Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943) I am delighted to inform you that I have been invited to give an online lecture about Moissey Kogan: Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943), to the New York-based Fritz Ascher Society for Persecuted, Ostracized and Banned Art as part … Continue reading Sculpting the Light: Avant-Garde to Auschwitz and Beyond.
Homage to Moissey Kogan Man konnte Kogan in verschiedenen Wesensarten erleben - als Träumer, als Bohémien, als Vagabund, als fanatischer Liebhaber weiblicher Schönheit. ("There were many sides to Kogan - the dreamer, the bohemian, the vagabond, the passionate admirer of female beauty." ) To mark the 77th anniversary of Moissey Kogan's death at … Continue reading The Dreamer, the Bohemian, the Vagabond, the Passionate Admirer of Female Beauty
Mapping Kogan's Munich You should count yourself lucky! My father arrived in Munich with just the clothes on his back. I had arrived in Munich in late March last year to find that there was no way for me to make myself a hot drink in my hastily-booked, budget hotel room, despite its … Continue reading Mapping Kogan’s Munich
Moissey Kogan - 140 years old today! To mark Moissey Kogan's 140th birthday today, I have been sharing work by him on Twitter. I have a lot of followers who are interested in his life and career. I wanted to showcase his work in the very many media that he employed and the range … Continue reading Moissey Kogan – 140 years old today!
To mark the 80th anniversary of Kristallnacht or Reichspogromnacht, I'm publishing here my translation of a passage from Sonja Gaze's autobiography, Die barfüßige Tänzerin [The bare-foot dancer]. Sonja Gaze was the married name of the Expressionist dancer and fashion model, Senta (Sonja) Kogan, Moissey Kogan's niece, to whom he was very close. Moissey Kogan had … Continue reading On the edge of the abyss
Frauentorso (Torso of a Woman), bronze, h. 34.7 cm, 1927, Museum für Kunst und Gewerbe Hamburg From 29 June 2018, the Kunsthaus Dahlem in Berlin will host an exhibition, Was war Europa (What was Europe), which will seek to partially recreate a major post-war exhibition, Werke europäischer Plastik, held in 1950 at the Haus der … Continue reading Work by Moissey Kogan to be featured in Berlin exhibition
Moyssey Kogan, Primavera, bronze, 17 x 26 cm, 1907; illustrated in Otto Fischer, Das neue Bild, Munich: Delphin-Verlag, 1912, pl. XXVII; exhibited at the 2nd exhibition of the Neue Künstlervereinigung München, 1910; sole known copy held by Museum Folkwang Essen. Eine wundersame Begegnung - Gedenkstunde für Moissey Kogan Seht da ein homo novus, ein Begnadeter, … Continue reading ‘Eine wundersame Begegnung’ – a memorial concert for Moissey Kogan
This website and blog are being launched today to mark what is presumed to be the 75th anniversary of École de Paris sculptor, Moissey Kogan's death at Auschwitz in German-occupied Poland on 13 February 1943. Kogan was one of 998 prisoners (no. 290) on convoi 47 from Drancy transit camp. It left the station at Drancy-Bobigny, Paris, … Continue reading Launch of website to mark 75th anniversary of Moissey Kogan’s death at Auschwitz
As a result of orthographic transcription from the Russian, Moissey Kogan’s first name appears in the primary and secondary sources in many variant forms. His surname is almost exclusively spelt Kogan, occasionally Cogan. The choice of spelling for his first name appears to depend either on the conventions of the country concerned or on personal preference. Variants include Moissey, Moïse, … Continue reading A brief note on orthography
75th anniversary of the departure of convoi 47 from Drancy-Bobigny Paris to Auschwitz A ceremony is being held today at 12 noon (CET) at Mémorial de la Shoah, Paris, to mark the 75th anniversary of the departure of convoi 47 from Drancy-Bobigny station on its 2-day journey to the death camp at Auschwitz in German-occupied Poland. … Continue reading Ceremony to mark 75th anniversary of departure of convoi 47