Recording of ‘Sculpting the Light: Avant-Garde to Auschwitz’

Moissey Kogan_Drei Akte

Sculpting the Light: Avant-Garde to Auschwitz. Moissey Kogan (1879-1943)   For anyone who was unable to attend our director, Helen Shiner's talk yesterday, 4 August 2021, for the Fritz Ascher Society, New York: Sculpting the Light: Avant-Garde to Auschwitz. Moissey Kogan (1879-1943), as part of its series, Fight or Flight: Stories of Artists under Repression, … Continue reading Recording of ‘Sculpting the Light: Avant-Garde to Auschwitz’

Moissey Kogan at the Museum de Wieger

Kogan-Torso

Moissey Kogan at the Museum de Wieger   A number of sculptures by Moissey Kogan is currently featured in a show at the Museum de Wieger, Deurne in the Netherlands. The exhibition, entitled Van Armando tot Zadkine. Collectie Lex en Leonie van de Haterd, is being held to mark the retirement of museum curator, Lex … Continue reading Moissey Kogan at the Museum de Wieger

Sculpting the Light: Avant-Garde to Auschwitz and Beyond.

Moissey-Kogan-Relief-1913

Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943) I am delighted to inform you that I have been invited to give an online lecture about Moissey Kogan: Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943), to the New York-based Fritz Ascher Society for Persecuted, Ostracized and Banned Art as part … Continue reading Sculpting the Light: Avant-Garde to Auschwitz and Beyond.

Provenance issues in the work of Moissey Kogan

Moissey Kogan, The Last Supper

Provenance issues in the work of Moissey Kogan One of the prime concerns for an editor of a catalogue raisonné is to establish which works purported to be by the artist are, in fact, lifetime works. There are various ways of doing this, some more technical than others, depending on the medium in question. The … Continue reading Provenance issues in the work of Moissey Kogan