Recording of ‘Sculpting the Light: Avant-Garde to Auschwitz’

Moissey Kogan_Drei Akte

Sculpting the Light: Avant-Garde to Auschwitz. Moissey Kogan (1879-1943)   For anyone who was unable to attend our director, Helen Shiner's talk yesterday, 4 August 2021, for the Fritz Ascher Society, New York: Sculpting the Light: Avant-Garde to Auschwitz. Moissey Kogan (1879-1943), as part of its series, Fight or Flight: Stories of Artists under Repression, … Continue reading Recording of ‘Sculpting the Light: Avant-Garde to Auschwitz’

A talk for the Fritz Ascher Society

Moissey-Kogan-Relief-1913

Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943) Just to remind you about our director, Helen Shiner's forthcoming online talk, Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943), for the Fritz Ascher Society for Persecuted, Ostracized and Banned Art as part of its monthly series, Flight or Fight. Stories of Artists … Continue reading A talk for the Fritz Ascher Society

Sculpting the Light: Avant-Garde to Auschwitz and Beyond.

Moissey-Kogan-Relief-1913

Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943) I am delighted to inform you that I have been invited to give an online lecture about Moissey Kogan: Sculpting the Light: Avant-Garde to Auschwitz and Beyond. Moissey Kogan (1879-1943), to the New York-based Fritz Ascher Society for Persecuted, Ostracized and Banned Art as part … Continue reading Sculpting the Light: Avant-Garde to Auschwitz and Beyond.

Provenance issues in the work of Moissey Kogan

Moissey Kogan, The Last Supper

Provenance issues in the work of Moissey Kogan One of the prime concerns for an editor of a catalogue raisonné is to establish which works purported to be by the artist are, in fact, lifetime works. There are various ways of doing this, some more technical than others, depending on the medium in question. The … Continue reading Provenance issues in the work of Moissey Kogan