Provenance issues in the work of Moissey Kogan One of the prime concerns for an editor of a catalogue raisonné is to establish which works purported to be by the artist are, in fact, lifetime works. There are various ways of doing this, some more technical than others, depending on the medium in question. The … Continue reading Provenance issues in the work of Moissey Kogan
A blog post in two parts: Research in a time of confinement and A sustainable future for the Moissey Kogan Catalogue Raisonné of Sculpture & Prints Project 1. Research in a time of confinement What scholar doesn't enjoy getting their teeth into a research challenge, particularly in these times of lockdown? Some while … Continue reading Research in a time of confinement, and beyond
Homage to Moissey Kogan Man konnte Kogan in verschiedenen Wesensarten erleben - als Träumer, als Bohémien, als Vagabund, als fanatischer Liebhaber weiblicher Schönheit. ("There were many sides to Kogan - the dreamer, the bohemian, the vagabond, the passionate admirer of female beauty." ) To mark the 77th anniversary of Moissey Kogan's death at … Continue reading The Dreamer, the Bohemian, the Vagabond, the Passionate Admirer of Female Beauty
Ihre Neujahrswünsche aufs herzlichste erwidert. Das Atelier hatte schon Frucht gebracht, noch vor Ende des alten Jahres sind 3 neue Arbeiten entstanden. Das neue Jahr wird ein Fruchtbares sein. Ich kann mich jetzt bewegen und Melodien anklingen. [...] Ich danke Ihnen vom Herzen für all das Güte, daß Sie für mich thun. Ihr in … Continue reading Season’s Greetings to our followers
You may be interested to read my review of the exhibition catalogue accompanying the current exhibition at Kunstforum Ingelheim, Vergessene Moderne, in which Moissey Kogan's work is well-represented. You can find the review here, on my personal blog: https://www.helenshiner.co.uk/forgotten-modernism-at-kunstforum-ingelheim/
Mapping Kogan's Munich You should count yourself lucky! My father arrived in Munich with just the clothes on his back. I had arrived in Munich in late March last year to find that there was no way for me to make myself a hot drink in my hastily-booked, budget hotel room, despite its … Continue reading Mapping Kogan’s Munich
Moissey Kogan - 140 years old today! To mark Moissey Kogan's 140th birthday today, I have been sharing work by him on Twitter. I have a lot of followers who are interested in his life and career. I wanted to showcase his work in the very many media that he employed and the range … Continue reading Moissey Kogan – 140 years old today!
Happy New Year 2019! We'd like to wish all our followers and readers a very Happy New Year. This is the start of an exciting new year for the Moissey Kogan Catalogue Raisonné Project and we hope to be able to make a series of major announcements in the near future. One of the core … Continue reading Happy New Year!
To mark the 80th anniversary of Kristallnacht or Reichspogromnacht, I'm publishing here my translation of a passage from Sonja Gaze's autobiography, Die barfüßige Tänzerin [The bare-foot dancer]. Sonja Gaze was the married name of the Expressionist dancer and fashion model, Senta (Sonja) Kogan, Moissey Kogan's niece, to whom he was very close. Moissey Kogan had … Continue reading On the edge of the abyss
Frauentorso (Torso of a Woman), bronze, h. 34.7 cm, 1927, Museum für Kunst und Gewerbe Hamburg From 29 June 2018, the Kunsthaus Dahlem in Berlin will host an exhibition, Was war Europa (What was Europe), which will seek to partially recreate a major post-war exhibition, Werke europäischer Plastik, held in 1950 at the Haus der … Continue reading Work by Moissey Kogan to be featured in Berlin exhibition